200mm. 300mm. 300mm. 450mm. Dx to Fx Lens Conversion Chart. Related reading: APS-C sensor to full frame equivalent calculator. For example, if you look at a 135mm on the DX column you can see that the focal length will be equivalent to 202.5mm instead. As another example, if you look at 18mm in DX format, it is equivalent to 27mm in FX format. Dedicated fisheye conversion lens for the FE 28 mm F2 provides 16 mm focal length with fisheye perspective and a full 180° angle of view (diagonally). The converter has been specifically designed for the FE 28 mm F2, and therefore offers expressive fisheye perspective with excellent image quality from infinity down to the closest focusing distance, without compromising the basic image quality While you can use an APS-C lens on a full frame camera in some cases, it’ll still affect your photography because it isn’t the intended lens. When you use APS-C lenses on full frame cameras, the lens might not fit. Your lens will block much of the camera’s sensor when they work, cropping your image. Since you’re cutting off some of the
I went from Canon full-frame, after using their cameras for nearly 15 years, to Fuji. I mostly do portraiture photography on a semi-professional basis and have not found my X-T3 to be lacking in any way. Their lens selection, while not nearly as large as Canon's, is spectacular, very robust and have nearly all bases covered with the exception
The 'crop sensor' crops the angle of view, compared to 'full frame'. A 35mm lens on an APS-C camera gives a similar angle of view to a 50mm lens on a full frame camera (a useful general purpose lens). A 50mm lens on an APS-C camera gives a similar angle of view to an 80mm lens on a full frame camera (useful for portraits).
Some would have you believe that using a crop body has the same effects as using a teleconverter. The focal length and aperture remain the same regardless if a lens is attached to a Full Frame camera or an APS-C one. An APS-C camera provides the field of view that is typically 1.5x the focal length of the lens attached – or a “crop” view.
